Catching up on posts after lying around in a sweltering heap and I am currently in my bedroom with the curtain drawn so decided to get on with it. Before the tennis season started and before I went to Queens and then spent two weeks yelling at the tv while watching Wimbledon, I had an evening of pure tranquility and delight.
I attended a concert of Baroque music at St Mary’s Church, Perivale. The concerts here are organised by Hugh, the father of my son in law James (wish there was a word to describe this relationship but there does not appear to be one) and though I have wanted to attend for some time this was the first occasion I actually managed to get there. It will not be the last.
The concerts at this church are on You tube video channels so do check them out and some of them are livestream so you can sit and home and watch in comfort if you so wish. Hugh has been running these concerts for years and he has a waiting list of performers who wish to come here. I hope to attend many more.
St Mary’s is small and beautiful. It is cheek by jowl to Ealing Golf Club which sounds an odd juxtoposition and I did wonder if any hard hit golf balls ever smashed a stained glass window. It is tucked out of sight down a lane and I found it quite delightful. The night I attended it had been raining and then cleared and there was that gorgeous smell of wet earth and grass after a shower which I always find invigorating.
Now I have to own up here that I never used to like or appreciate baroque music. I am a fan of opera, Verdi and Wagner and I love a full orchestra going like the clappers and wallowing in Mahler etc. But then I became involved in the Suffolk Villages Festival, music director Peter Holman, and my viewpoint changed. I originallly was drawn in as my then husband performed at the Festival and gradually I became interested. I joined the committee and ended up as Chairman. I viewed my role as Chairman as an organising one to ensure that the nuts and bolts of the Festival ran smoothly so that the musicians and performers had to worry about nothing but their music. So I did not feel that my lack of knolwedge of this genre would stop me from fulfilling this role. I have to say that when I mentioned in passing to Peter Homan that I preferred Wagner to Vivaldi, he was giving me a lift at the time, he nearly put the car in the ditch...
But the longer I became involved the more I grew to love Arne, Purcell, Bach, Handel and other less well known composers. OK I will be honest. I had not heard of most of them. There is a preciseness and cleanness in this kind of music, everything is pure and straight and uncluttered. It reminds me of reading a beautiful piece of prose or poetry with no fuss, no extra ornamentation (though quite a lot of that does turn up), it just feels right somehow. I am not expressing it very well. Let me just say that years ago after spending three years attending the English Ring Cycle at the ENO (nine performances of each four operas and then two complete cycles) I found I needed to listen to smaller music and I then turned to Mozart. Think of cleansing the palate after a huge meal.
This concert ‘Baroque Heroes’ featured Handel, Purcell, Bach, Fischer and that well known composer Anon. The performance was given by the Florisma Baroque Ensemble with the soprano Penelope Appleyard and I sat back and loved every single moment of it. We had a harpsichord, baroque cello and an astonishing display of recorders and they all performed with style and virtuosity.
Do check out their website http://florismabaroque.com/ to learn more about them
After the concert was over we all went back to Ealing, I was lucky enough to be staying with Hugh and his wife Felicity (AKA The Other Grandparents) and we ended up chilling out with a glass of wine.
It was a perfect evening.
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